#bc the idea is there and it won't leave me | Explore Tumblr posts and blogs

lupins-hehim-pussy · 6 months ago

Note

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

#and then. and im putting my most controversial opinion in the tags bc im scared lmao. but like... then... you have the fans..... doing......#the same fucking thing.#the amount of times I have seen Wriothesley used as just a side prop for Neuvillette to feel bad about shit. While Wriothesley is just.....#portrayed as having the inner peace and acceptance of a fucking monk. I was shocked when I read some fics I swear #they really said this man has no trauma at all! the stuff in his past? he's over it!#i hate that passivity when writing victims. like ok if One is written like that #sure. but MHY write all their victims like this #I mean look at fucking Lanoire #and Neuvillette sentenced him to prison after he killed his parents who were never confronted by the law. That's canon.#that's more canon than WRLT itself.#why weren't they confronted? did wriothesley try to talk to someone about it? why did he feel like killing them is his only option ?????#at least have there be some sort of conflict and friction there. How does Wriothesley feel about the court and Neuvillette when #this is the literal system that allowed all that shit to happen to him in the first place???#are you Sure he won't be at least a little wary? the fact that some people think he's Grateful to Neuvillette or even idolises him is crazy #because the man literally subjected him to prison. and if you want to portray his prison life as easy breezy and trauma free #you undermine his entire shitty little 'prison reform' narrative #and if you think he'd be completely 100% accepting of the justice system. Then why the fuck would he kill his parents himself #don't you see that the whole 'I'll accept whatever sentence in order to kill my parents' thing in itself is an act of defying the system #and I Hate #this idea. about being some of the most powerful men in the nation. and yet they can't fucking TRY to set up a better system or smth #i can't believe I read a fic where leaving starving street kids croissants is the most they (the characters and the writer) want to do #like. what the fuck. the whole point of that scene is just to make neuvillette feel bad and be like aw......... poor people exist.... OK???#this is literally how MHY would portray him though.... tbf..... This is what ppl would argue as 'in character'#I just think the character they're in is bad.#I will say I'm giving the fic a lot of grief. there's more to the scene than that. and. ultimately.....#fanfic is (saying this through gritted teeth) ........ recreational....................and free........... in the end.................#i dont think this is reflective of the writer. I do think it is reflective of the way the canon material (genshin impact)#presents in the audience who consumes it. most fans only want these guys to fuck anyway. not think about systemic injustices #canon doesn't make it about the systemic injustices either so why should we. the aesthetic of slums and prisons are just there for fun guys #IM JUST CRAZY OK. I SHOULDNT EVEN BE HERE THIS IS NOT FOR ME . I DONT CARE THAT MUCH FOR PEOPLE FUCKING AND I CARE TOO MUCH

29 notes · View notes

thetomorrowshow · 2 years ago

Text

every hand’s a winner

trust au masterlist - previous

I COME BEARING FLUFF.

also a little note: due to personal reasons, i will be stepping away from social media for an unforeseeable amount of time. because of this, fics/updates will be posted once a month on the second tuesday either until i get back or until they run out. for january expect some esh au, and the next part of hubris in february :) additionally, my queue will be posting every other day either until i get back or until my queue runs dry (unlikely, as there are close to 300 posts in it lol).

forget all that, though!!! bc i have some people being happy for you!

cw: blood and injuries

Scott goes home that very evening, like most of the other emperors—bar Jimmy, who is slated to stay overnight in the infirmary. They’d tried to keep Scott as well, fussing over his bloody nose and torn skin, but he’d promised to check in with the Rivendell healers at home to make sure time in the Void of the End won’t seriously affect him.

For once in his life, Scott willingly goes to the Rivendell infirmary, leaving with a couple of bandages and instructions to write down any strange symptoms.

The thing is, nobody has ever fallen into the Void before—let alone the one in the End—so there’s no way of knowing what might happen further down the road. Scott’s an anomaly of sorts, and it looks like he’s now the subject of a medical study.

He hasn’t noticed anything apart from a slight lingering dizziness, so he writes that down, feeling somewhat stupid about it being the only symptom he has to report, especially when that could be caused by a myriad of other things. It’s not like he’s never been dizzy before. He practically didn’t stop being dizzy back before he figured out how to sleep.

That night, he luckily doesn’t have to deal with his insomnia—he’s up until the sun rises meeting with various advisory groups: working out the best way to lock down Rivendell whilst still keeping trade routes open, mobilizing the layman army, and deciding how to go forward with various declarations of support for other empires. Within the night, four different ambassadors turn up to arrange an alliance, and Scott knows that his fellow emperors are awake dealing with the same things.

He doesn’t get a moment alone until well into the next day, after he has to send out a formal announcement that his and the Codfather’s betrothal is postponed until after the war (if Jimmy still wants such a relationship, of course). He can tell that many of his advisors don’t necessarily agree with this decision, but they recognize the direness of the situation (and Ilphas, Aeor bless them, defends Scott’s choice with a fervor), and allow the postponement to occur.

It’s past four in the afternoon before he finally has a moment to relax, kicking off his boots and bathing before changing from the travel clothes that he’s been wearing for almost two days straight into something clean. The sight of Jimmy’s robes in the closet next to his almost makes him cry for some reason, but he pushes past them to the back to dig out a pair of hose and a skirt, tucking an embroidered but comfortable tunic into them.

He can’t sleep.

Several months have passed since the torture of fWhip’s basement, his wounds entirely healed, but he can’t quite convince himself he’s safe to sleep alone. He really thought he’d be over it by now.

It’s no use trying, of course—after so many long hours, he doesn’t want to risk a panic attack. Instead, Scott lies in bed and just breathes, trying not to think about all the war preparations that he’s just spent hours making.

He also tries not to think about Jimmy.

That’s a whole other issue to deal with.

For a couple of minutes, he’s able to lie there in peace, shutting down any thought as soon as it breaches his mind.

Then his bedroom door opens.

Scott sits up, ready to reprimand whatever servant is entering—he’s in his private quarters, he could be without his veil—but he’s not meant to have a veil anymore, is he—

It doesn’t matter anyways, because it isn’t a servant at the door.

It’s Jimmy.

“Hey,” Jimmy waves awkwardly, slipping in and shutting the door behind him. “How—how’re you?”

Jimmy looks terrible.

Well, he looks beautiful, as per usual, but his fall through the Void has certainly taken its toll. There are bags under his eyes, his hair greasy and limp, and he walks with an unsteadiness that tells Scott he’s been experiencing the same dizziness. Most notably, his face isn’t bandaged anymore.

It had been hard to see in the End, when Jimmy’s face was pretty fairly just a mess of blood, and impossible to see when there had been bandages plastered on half his face, but it’s clear now that Jimmy’s lost almost all of the scales on his face.

They had run in patches up from his throat to the line of his jaw on both sides, some speckling across his cheeks and a handful clustered around both his mouth and eyes. Scott had always found them gorgeous, little sparkling jewels on his face that truly brought out the flecks of green in his eyes. Now there’s maybe three around his eyes, ten total over the entirety of his face. In place of all the missing scales is torn skin and scabs, blood shining on his jaw from where the scabs have split.

Scott feels a little sick looking at it. Jimmy’s throat is still wrapped in bandages, and he can see some tied around his hands, so he can only guess at how many are missing across the entirety of his body.

He’s not sure why the dressings are gone from his face, but those wounds look ripe for infection. They shouldn’t just be out in the open.

“Jimmy, where have your bandages gone?” he asks instead of replying, swinging out of bed. “You need new ones, come here.”

Jimmy follows him into the washroom that leads off from what was once their joint sitting room, fidgeting nervously with the hem of his sleeves. “They made me take them off at the door,” he explains. “To make sure it’s me, and all. It looks pretty gross, I know.”

“No, it’s not—it’s—I don’t want them getting infected, is all it is,” Scott says absentmindedly, digging through his healing chest for the proper materials. He finds a basket of bandages and a roll of gauze, which he removes and sets to the side. His hands pauses over a regen potion, glancing uncertainly at Jimmy.

Jimmy shakes his head. “No potions, doctor’s orders,” he says. “They’re afraid it won’t . . . grow back right. It’s a wait-and-see thing at the minute.”

Scott passes over the regen and the health potions, landing instead on some disinfectant ointment. He closes the chest and gestures for Jimmy to sit on it, turns away to wash his hands before twisting open the ointment.

Jimmy doesn’t sit still as he applies it, jiggling his knee and wincing and pulling back every time Scott touches him. His injuries must really hurt, then—Scott’s being as gentle as he can, barely touching his cheeks as he rubs the ointment in.

“Sorry,” he murmurs when he cleans a particularly ugly patch and Jimmy actually cries out a bit. Jimmy shakes his head, face twisted into a lopsided grimace.

“It’s fine,” he grits out. “Thanks.”

Well, it’s not as if Scott was going to let Jimmy patch himself up. He’s not sure what he’s getting thanked for.

He finishes up quickly and efficiently, hesitating at his mouth and eyes. The bandages are too blocky to work with the curves there, so he tears one up and uses the pieces to line any awkward spots.

Jimmy really doesn’t look any better once he’s done, covered in so many bits and pieces of bandages that barely any skin is showing. He forces a smile anyhow, shows Jimmy his reflection in the mirror.

Jimmy stares at himself for a long moment. “I’d laugh if I could move my mouth that much,” he comments, and the smile on Scott’s lips becomes just a bit more real. He’s making jokes. That’s got to be good.

Then Jimmy takes one of his hands, and Scott’s heart skips a beat.

“What’s this?”

Scott follows his gaze down to his hands—Scott’s knuckles have similar bandages wrapped around them.

“Same as you,” he says, flexing his wrists. “I escaped with just losing a bit of skin, fortunately.”

Jimmy nods. “Right. Scales—on a fish, perfect protection. Bit weak when you combine it with normal skin. It—it makes sense.”

“And you were in there for longer,” Scott adds. Jimmy shrugs, looking away and down. Every which way, except for back at him.

Scott leads the way back into the sitting room, gestures for Jimmy to take a seat on the sofa (it’s his favorite spot, Scott knows, the velvet of that left cushion still brushed back weird from when he’d been sitting there last). Scott almost sits in his preferred armchair, but makes a last-minute decision to sit beside Jimmy on the sofa.

They’re quiet for a moment, and it isn’t a gentle quiet, nor a comfortable one. It’s awkward, filled with tension, and Scott’s certain they keep looking at each other but never managing to catch one another’s eyes.

He’s got to say something, but all he can think about is Jimmy’s exhausted eyes, love confessions falling from bloodstained lips, impulsive kisses and a slippery grasp on his lover’s bleeding face.

He has to say something.

But Jimmy speaks first.

“I really like you,” Jimmy says, looking away, and Scott takes the moment to gaze at him, truly take in the fatigue lining his face and the droopiness of his eyelids. “I didn’t—I have for a while. Months, really. Ever since . . . I don’t know when. I just—well, I tried, that one time—” he grimaces— “I just . . . I didn’t feel worthy, I suppose, of you. You’re—Scott, you’re so perfect, always all put-together and—and rescue-y and everything, and I’m just . . . me. Gosh, I’m sorry for rambling—I really just meant to say that I like you and—and I kinda hope you like me too.”

Scott blinks.

If his heart flipped when Jimmy took his hand earlier, it’s positively doing cartwheels now.

Jimmy likes him.

And apparently, all that pining was for waste because he could’ve confessed this whole time and Jimmy would’ve reciprocated.

Scott can’t help it: he laughs. Just a little, a giggle that slips out accidentally, but it’s enough that Jimmy freezes and glances over at him, eyes terribly fearful.

Scott waves frantically, pushing closer to him. “No, no—I—I wasn’t laughing at you,” he’s quick to correct. “I was—Jimmy, I’ve liked you for ages, but I was so afraid of you rejecting me that I didn’t dare say anything. Just think what might have happened if we both actually used a bit of logic for once in our lives.”

Jimmy blinks. A surprised laugh bursts out, one that’s quickly stifled as Jimmy winces and covers his mouth. It’s really not funny—it must hurt to laugh, with his face in such a state—but Scott can’t help it. He laughs again, lightly punches Jimmy on the shoulder.

“Don’t laugh,” he reprimands, still laughing himself. “You’ll start bleeding again, and we can’t have that.”

Jimmy clearly can’t help it, his shoulders shaking as he struggles to not even smile. Scott’s smiling too, he’s gazing at Jimmy beside him as he tries not to laugh and. . . .

He’s really in love, huh? Because Jimmy’s always shone like a star, he’s always been so breathtakingly beautiful, but he’s somehow so much more so now that he’s his. Now, Scott gazes at him, wave after wave of glory hitting him like waves of heat from the sun.

He’s in love, and it’s wonderful.

“Um,” Jimmy says after a moment, and Scott realizes that not only is he staring at Jimmy, but Jimmy is staring right back.

“Sorry—” he starts to say, looking down at his hands, but Jimmy interrupts him.

“I actually—I know you’re busy, with . . . with everything going on, and I am too, but if you wanted to just have one night before all that? I’d still like to—to go stargazing with you.”

It’s wartimes. He only has the one night to offer Jimmy, and no promises for the future.

Scott smiles. “I would be honored.”

There’s no snow on the ground where they pick to stargaze, a stone shelf in the side of the mountain that Scott’s lain on many times past. He spreads out three blankets on top of one another and leaves a fourth bundled to the side, in case the air gets too chill.

Jimmy splays out immediately, just like how he’s always first in bed—an incredibly intimate thing for Scott to know, and something inside him seems to almost purr at the realization. Jimmy is his, and he is Jimmy’s (at least for tonight).

Scott eases himself down next to him—his lover, Jimmy’s his lover—and, in a split-second decision, shifts a bit closer so that their hips touch.

Jimmy doesn’t move away.

Scott’s heart flips a little.

Exor’s hooves, you’re acting like a teenager, he tells himself. You like him, and he likes you. Just—be normal.

He can’t be normal. There is no way he can be normal.

The world around them has been gradually growing dark the entire time they spent hiking up to here and setting up, and now it’s dark enough that Scott can barely see Jimmy’s face.

He hadn’t been able to see Jimmy’s face then, either.

He’d seen him fall.

Scott had just caught sight of it as he regained his sense of balance from the End portal. He’d looked up to find an unfamiliar island, the world surrounded by the darkness of the void, and on the other side of the island—

Even from that distance, Scott could tell that Jimmy’s fall was the most graceful he’d ever seen.

He spread his wings and took off without a second thought, abandoning the others who followed him through the portal.

He had to try. He had to.

He’d passed fWhip, who was laughing—who tried to grab him—as he went over the edge of the island.

And then, wings pulled tight to his body, nose down, he dove after Jimmy.

“Scott?”

He blinks, looks around. Jimmy’s at his side now, head propped up on his arm. Jimmy quirks an eyebrow, still barely visible. “You good? You kind of zoned out for a second there.”

Scott blinks again, looks up. The stars are starting to twinkle into vision, bright and lively, and Scott almost waves up to them.

Perhaps Jimmy doesn’t know much about elven beliefs, doesn’t know the significance of the stars. He doesn’t know that Scott could point out a dozen or two elven legends and heroes—Gelidrian, Calireth, Alinar. And others, more mundane—his parents, the nurse who had raised him, the palace guard from a mere two decades ago.

Someday, Scott knows he will join them all. Hopefully not any day soon.

“Whoa,” Jimmy whispers. Scott glances over at him, his face illuminated by the exaltation of elves. One of his hands is raised slightly. “They're so close.”

“They really are.”

They watch in silence for a while, more and more bundles of light appearing in the sky. When the entirety of the Stags is visible and bright, Scott points it out, taking Jimmy’s hand (his heart jumps, Jimmy’s his lover) to trace his fingers down the lines of stars.

“That’s the Clash of the Stags,” Scott tells him, tracing it over again. “On the left is Aeor, see His antler?”

“That’s your god, isn’t it?”

“Yes, that’s Aeor.” Scott smiles just a little bit—somehow, every time Jimmy knows something about elven history, it makes him ten times more attractive. “And then below Him and to the right is Exor, His brother.”

“I’ve heard you say his name before. Is he your god, too?”

Scott can’t help but snort. “No. Exor may be Aeor’s brother, but they don’t get along. Exor was cruel, controlled those under his domain, sacrificed the weak and oppressed the followers of Aeor. Aeor, meanwhile, ruled with kindness and respect, befitting of the last remaining gods.”

“What happened to the others?” Jimmy asks. “There are others, aren’t there?”

“Yes, we believe so. I’m sure you’ve heard Pix mention the Great Slumber?”

Jimmy nods, the movement scrunching up Scott’s sleeve. Jimmy’s so close to him, close enough that Scott can feel his every twitch and breath.

“Aeor and Exor were the only gods not to fall asleep. But when Exor became corrupted, jealous of his brother’s rule, Aeor knew He had to do something about it. So He gathered all His power and wielded it in a mighty battle against Exor—the Clash of the Stags. See how Aeor is kicking Exor down?”

Jimmy nods again. The nerves in Scott’s arm are tingling at his every touch, and he has to take a moment to swallow back the squeak that threatens to break his voice. “Um. Aeor used everything He had to seal Exor and his followers within a mountain forever,” he says, thankfully with no cracks. “Then He withdrew from the people, still hearing their prayers and granting small blessings, but separate from them. He lost much of His power in that fight, and has spent many thousands of years resting and caring for us—as any god should.”

Jimmy’s silent then, and when Scott looks over at him, he’s staring up at the sky, eyes flicking from point to point. Scott doesn’t look away, and while Jimmy’s eyes trace the stars, Scott’s eyes trace Jimmy’s face.

In the dark with the stars as their only light, the raw patches around his mouth and eyes that they hadn’t been able to bandage are invisible. The lines of exhaustion are impossible to see, as are the shadows Scott knows ring his eyes.

Instead, Scott sees the way his nose twitches. He sees long eyelashes that flutter gently. He sees golden hair that’s starting to curl around the gills, long in a way Scott’s never seen it. He sees lips that move soundlessly, lips that are looking more and more kissable by the second.

“There,” Jimmy says, and Scott pulls himself out of his reverie to follow Jimmy’s finger. Scott squints up at the sky as Jimmy traces a triangle shape out of the stars.

“That can be the mountain,” Jimmy says, sounding proud of himself. “The one that Aeor trapped them in. Do you guys know where that mountain is?”

Scott giggles a little—he can’t help it, it has to be a crime to be so cute—and traces along Jimmy’s triangle as well. It’s part of another constellation, he realizes after a moment—the Crystal of Rivendell, made up of stars of rulers who have passed on. “The mountain probably wasn’t real, Jimmy. Rivendell scholars have searched for it for literal ages, and they’ve not found evidence of it yet. Besides, I find it hard to believe that a mountain could entrap a god.”

“It was a magical mountain, you said so,” Jimmy says stubbornly. “Aeor sealed it. And I think it would be a great idea—some mountains are older than the ocean, you know, surely they have some sort of power.”

“Well, when you fight a god, trap him in a mountain and let me know how it goes.”

Jimmy laughs too, then cuts off abruptly as a cold gust of wind blows over them. He shivers, shifts close enough to Scott that he’s practically curled up in Scott’s side, head resting on his shoulder.

Scott’s certain that his heart actually stops.

Which is stupid, because—because they’ve done this before! Almost every morning, Scott wakes up pressed into Jimmy, and it’s fine. Well, it’s nerve-wracking and overwhelming and suffocating, but it’s been weeks since he last blushed and apologized, and much longer since he stopped pretending that Jimmy isn’t a very physically affectionate person. Romantic intentions or not (and now, in retrospect, Scott knows that most of them likely were romantic in some way and isn’t that something), Jimmy hugs him or leans on his shoulder on a near daily basis. This isn’t anything new.

Somehow, though, it’s the strangest sensation he’s ever known.

He’s been quiet for some time, he realizes suddenly, and before he even knows what to say he’s blurting out, “What’s your favorite constellation?”

Jimmy jerks a little bit. “What?”

“I—that’s how it started, isn’t it?” Scott says, and he just knows he’s paler than the stars right now. “You asked me what my favorite constellation is. Which one’s yours?”

Jimmy doesn’t answer immediately, pulling back a bit to gaze up at the stars properly. After a few moments, he takes Scott’s hand (the hairs on his arm stand up) and guides him up, much further to the left than the Stags. There, he traces out a strange shape—almost a lopsided rectangle, but with five sides.

Below it are two stars that are very familiar to Scott, he realizes with a jolt—

Staying up late every night—he’s just a child, he ought to be in bed, but instead he creeps over to the window and looks up at the stars.

His nurse had taught him to make a wish on the point of Aeor’s antler, and if the God was willing, his wish might come true. Scott can’t really remember where it is most of time, but he can always find those two bright stars to wish on—and that way, he would get two wishes!

He wishes twice for himself, or sometimes he uses one for Xornoth, or sometimes he uses one for his parents.

Most of the time, though, he wishes twice for himself—and he wishes for a friend.

Jimmy traces it again, the soft bandages on his knuckles rubbing against Scott’s matching set. “That one. That’s my favorite.”

“What is it?”

Jimmy’s hand falls to his side, almost in slow motion. “I don’t know,” he says, and there’s something wistful in his voice, something terribly sad. “But it feels like home.”

It gets too cold to stargaze, so Scott packs everything up and helps Jimmy back to the palace, flying in through his window so as not to get caught out by the guards.

And sure, it may be the beginning of the end of the world, war hovering over them like the executioner’s axe, but Scott can’t stop giggling. He and Jimmy are sneaking around like teenagers, trying to not be seen as they clamber in through his window. It’s so very cliche that he can’t help but enjoy it, can’t help but be entirely wrapped in the feeling of new love.

They both collapse onto Scott’s bed, both laughing, even though Jimmy’s covering his mouth and wincing like it hurts. He doesn’t stop, though, eyes sparkling as he snickers.

“The funny thing—the funniest part is, it’s not even funny,” Scott gasps out, and it isn’t—he thinks they’re more laughing because of the absurd pressure it is to sneak into a building that you belong in in the first place. It’s more stupid than anything—it would have been just fine to go in through the gates, really, but they’d decided to do it proper just for the fun of it.

Jimmy laughs harder at that, cutting himself off with a small “ouch!”. He presses his sleeve to his mouth for a moment before pulling it away, examining it for any blood. Apparently satisfied, he lets his arm fall and stretches out a bit.

“This was really good, Scott,” Jimmy says after a minute, and dear Aeor, even the way Jimmy says his name. . . .

“Can I kiss you?”

Scott blinks, sits up. Jimmy’s watching him, a blush spreading across what’s visible of his face. He almost looks just as surprised as Scott feels that those words fell from Jimmy’s mouth.

And really, props to Jimmy, because it’s not a bad idea. It’s a very good one, in Scott’s mind.

But they really need to talk about it first, don’t they?

Scott sits up, runs a hand through his hair. “I’d like to apologize, actually. For our first kiss.”

Jimmy frowns. “Yeah, I—it was sensory overload, yeah? I don’t think you need to apologize for that.”

“Wha—when did I say it was sensory overload?”

Jimmy sits up too, scoots along until he’s sitting beside Scott. “Well, I didn’t figure it out until today, actually. I sort of thought you hated me at first, but yesterday, when . . . and then again, earlier. You said—you’ve liked me this whole time, right?”

Scott nods.

“Right. Well, I figured if you did like me back then, you probably wanted to . . . do the whole kiss thing. And it’s really not like you to just run away like that. And I know you get sensory overload real bad sometimes, so. . . .”

Scott slides his hand toward Jimmy’s, loosely tangling their fingers together. It’s a conscious movement, one that sends nerves sparking up and down the very bones of his body.

It’s dangerously close to too much.

Yet it’s everything he’s wanted for so long.

“How about this,” Jimmy continues. “We—we’re . . . courting now, right? Um—that—that’s really nice to say—so how about we always ask first, before a kiss? And stuff like that. That way, neither of us is taken by surprise.”

Thrills go up and down every inch of Scott’s skin when Jimmy says that they’re courting, his breath stolen from his chest. They’re courting. They’re in a committed relationship. Jimmy is his, and he is Jimmy’s, and it’s true because Jimmy said so. It’s real.

“That—that sounds good,” he manages. He takes stock of himself—definitely on-edge, but he can handle one kiss. As long as they make sure it’s just one. And maybe if they do some pressure cuddling afterward.

“Can I kiss you?” Scott asks, his voice almost a whisper. What’s visible of Jimmy’s face under the bandages goes through a series of emotions—anxiety, enthusiasm, warmth, and then settling back on anxiety. He nods, a little uncertainly, and turns to fully face Scott, drawing his legs up criss-cross on the bed.

They’ve kissed three times before, but everything is different about this one.

There’s an awkward sort of lean-in, of course—the first and second times had been sudden, passionate, and the third filled with the thrill of survival. For this, they move slowly, telegraphing each movement carefully—akin to trying not to spook a wild stag, Scott thinks offhandedly.

And then their lips meet.

Scott’s always led kisses in past relationships, his lips slotted above his partner’s, but Jimmy takes the lead here, leaning up a bit to match Scott’s height—and Scott thinks he likes it. His lips are warm, far warmer than Scott’s, and wet, and so very very soft.

It’s not the burning fireworks of their first kisses, but it’s warm like a cozy evening by the fireplace—there are so many nerve endings, he can feel his shoulders start to raise at the overstimulation—and it’s Jimmy and he loves him so much and it’s overwhelming, it’s perfect, it’s underwhelming compared to the first time because Scott knows that Jimmy has very sharp teeth and knows how to use them—

But Jimmy pulls away after just a moment, their lips parting slowly, and offers a small smile. “Good?”

Scott can only manage a squeaky noise in the back of his throat, and Jimmy giggles. The sound is a little bit loud for his sensitive ears.

Scott stands and pulls off his cloak, muttering something about putting on softer clothes before ducking into his walk-in closet. He can hear Jimmy laughing behind him.

Normally Scott would consider himself the smooth one—why is he so uncollected? He can’t even find the words to make any sort of dirty jokes. Jimmy must think something’s wrong.

(And so many things are wrong, of course, but definitely not this.)

He changes into soft pajamas, emerging to find Jimmy having also changed—he’s in a loose shirt and shorts, hair mussed and occasional bandages wrapped around his arms and legs. Luckily—or unluckily, depending on how one looks at it—his face and hands had taken the brunt of the damage, only a couple of patches bandaged on his arms and even fewer on his legs. Jimmy smiles brightly when he sees Scott reenter.

“I sort of assumed I’d be staying the night. You looked overstimulated, do you need anything?”

Scott points to the bed. “Sleep?” he suggests, swallowing half of the word back. Jimmy nods, pulls back the covers.

“Do you want me on top of you?”

Scott can’t help it—he snorts. Jimmy goes totally red, sputtering incoherently.

“I—you know I—Scott!”

“Very forward, Jimmy, and on the first date too—”

“Oh, come off it!” Jimmy shakes his head, sighs, then adds, “We’ve been engaged for a while now; I don’t think it counts as a first date.”

Scott quirks a brow, and this is more familiar, this is how their banter is meant to be, flirtatious and comfortable and not at all awkward. “So you’re saying you’re open to it?”

“You are a menace,” Jimmy tells him, but he’s smiling, and it really does feel like before all of their issues. Except now Jimmy’s actually his, and the awkward dancing around each other in a newfound relationship hasn’t passed, but maybe they can become like this again soon enough.

Scott climbs into bed, turning down the lamp on his way in. He curls on his side, pulling the blankets up to his waist, his wings resting on the cushioned shelf built into his bed for this precise reason.

After a moment, the bed shakes as Jimmy climbs in beside him, then slowly, carefully, rests an arm around Scott’s waist.

“This okay?”

The weight of his arm is heavy and warm, the perfect amount of pressure, and Scott rolls to be fully on his stomach before pressing closer. When his head is up against Jimmy’s chest, and their knees are bumping at every readjustment, he nods.

He can be close to Jimmy. He doesn’t have to be self-conscious about wanting to touch him. He doesn’t have to restrain himself in private, pretend that the physical affection is all for show.

Scott moves one arm up, wrapped under Jimmy’s arm and up his back, and sighs. This is comfortable. This is right. This is real. Their bodies know how to fit together, weeks of practice in their sleep lending subconscious knowledge to Scott as he presses up against his lover, his Jimmy.

This is real, he tells himself, and it’s perfect.

65 notes · View notes